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| 1961
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University of Texas at Austin,
B.F.A.
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2003
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"Spirits on the Coast: New Paintings by Lynn Randolph," Joan Wich Gallery, Houston,
Texas
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1998
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"Millennial Myths:
Paintings by Lynn Randolph," Arizona State University, Tempe, AZ. Catalogue: essays by Walter Hopps, Donna Haraway, and Marilyn
Zeitlin.
|
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1997
|
"The Body and Technoscience: A Series of Spectacles," University of Texas Health Science Center, Houston,
Texas
|
| 1995
|
"Virgins in Vertigo and Juicy Women," Lynn Goode Gallery, Houston,
Texas
|
| 1991
|
Graham Gallery, Houston, Texas
|
|
1990
|
"A Return To Alien Roots: Painting Outside Mainstream Western Art," The Bunting Institute, Radcliffe College, Cambridge, MA. Catalogue: essay by Margaret Miles.
|
| 1986
|
Graham Gallery, Houston, Texas
|
| 1984
|
Graham Gallery, Houston, Texas.
Catalogue: text by Lucy Lippard and William Graham
|
| 1978
|
Contemporary Arts Museum, Houston,
Texas
|
|
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2004
|
"Democracy In America," Arizona State University Museum, Tempe, AZ
|
|
2002
|
"Other Sights: Renzo Barchi, Lynn Randolph, Valton Tyler," O'Kane
Gallery, University of Houston - Downtown
|
|
2001
|
"Secret Wars," The Art Car Museum, Houston, TX. Catalogue
|
|
2001-2002
|
Double Take, The Art League of Houston, The Art Center of Waco,
Texas, The Art Museum of South East Texas, Beaumont, Texas, D.
Berman Gallery, Austin, Texas. Catalogue.
|
|
2000
|
"The Vulnerable Body," ArtScan Gallery, Houston, Texas
|
|
1998
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"Altered Landscapes," ArtScan Gallery, Houston, Texas
|
|
1998
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"Identity," University of Houston - Clear Lake. Essay by MaryRoss Taylor
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|
1994
|
"Phantoms, Freaks, and the Fantastic," Diverse Works, Houston, Texas.
|
|
1993
|
"The Mask in Contemporary Art," Sewall Gallery, Rice
University, Houston, Texas.
|
|
1992
|
"Slouching Towards 2000: The Politics of Gender," Women & Their Work,
Austin, Texas; Lawndale Art and Performance Center, Houston, Texas. Catalogue: essay by Lucy Lippard.
|
|
1992
|
"Iconoclasm in Contemporary Texas Art," Glassell School, Museum of Fine Arts, Houston.
|
|
1991
|
"The Power of Enduring Presence: Ten Texas Women," Women and Their Work,
Austin. Catalogue: text by Kathryn Davidson.
|
|
1991
|
"A Sense of Place: Recent Acquisitions in Contemporary Texas Art." San Antonio Museum of Art.
|
|
1990
|
"Everyday Miracles: Retablos, Ex-votos, and Contemporary Texas Artists," Contemporary Art Museum, Houston,
Texas
|
|
1989
|
"Evidence: Contemporary Narrative Art of the Southwest," San Antonio Museum of Art, San Antonio,
Texas. Catalogue.
|
|
1988
|
"Texas Women," National Museum of Women in the Arts, Washington, D.C.
|
|
1988
|
"Acts of Faith: Politics and the Spirit." Cleveland State University, Cleveland,
Ohio. Catalogue.
|
|
1988
|
Houston '88 (Houston Art Dealers Association), Cullen Center, Houston, Texas
|
|
1987
|
"Third Coast Review: A Look at Art in Texas," Aspen Art Museum Aspen, Colorado. Catalogue: text by Annette DeMeo Carlozzi.
|
|
1986
|
"The Texas Landscape, 1900-1986," Museum of Fine Arts, Houston, Texas. Catalogue: essay by Susie Kalil.
|
|
1986
|
"Prisoners of Conscience," (Organized by Amnesty
International) Diverse Works, Houston,
Texas. Catalogue.
|
|
1985
|
"Texas Artists in Los Angeles," Southern California Gallery for Contemporary Art, Los Angeles,
CA
|
|
1982
|
"Thirteen Artists: A Look at Houston," Georgia State University Gallery, Atlanta,
GA
|
|
1980
|
"Ten Houston Artists in Dallas," 500 Exposition Gallery, Dallas, Texas
|
|
1980
|
"Texas Artists," Contemporary Arts Center, New Orleans, LA
|
|
1979
|
"FIRE," Contemporary Arts Museum, Houston, Texas. Catalogue.
|
|
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San Antonio Museum of Art
Museum of Fine Arts, Houston
Prudential Insurance Company
The Bunting Institute, Radcliffe/Harvard, Cambridge, Massachussetts
Arizona State University Art Museum, Tempe, AZ
The Menil Collection, Houston
The National Museum of Women in the Arts
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1989
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Fellowship, The Bunting Institute, Radcliffe College.
|
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1987
|
Residency at Yaddo, June.
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LECTURES AND CONFERENCES:
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2002
|
"Slide Jam," Contemporary Arts Museum, Houston,
Texas
|
|
1998
|
"Ways of Seeing: The
Convergence of Art, Science, and Technology," the Institute for the Medical Humanities, University of Texas
- Medical Branch, Galveston.
|
|
1998
|
"The Identity Issue of Women Artists: A Diacritical
Perspective," South-Central Women's Studies
Conference, University of Houston - Clear Lake.
|
| 1998
|
"Cyborgs, Wonder Woman, and Techno-Angels: Collaborations between Lynn Randolph and Donna
Haraway."
"Webs of Discourse," the annual conference of the Center for Comparative Literature, Texas Tech University, Lubbock,
Texas
|
| 1996
|
"Cyborgs, Wonder Woman, and Techno-Angels: Collaborations between Lynn Randolph and Donna Haraway," Center for the Critical analysis of Contemporary Culture, Rutgers University, New
Brunswick, New Jersey
|
|
1995
|
"Between Cultural Eras: The Effects of Postmodern Thinking on the Modernist Concepts of Regionalism,"
College Art Association, San Antonio, Texas, January.
|
| 1993
|
"The Ilusas (Deluded Women): Representations of
Women Who Are Out of Bounds," Bunting Institute, Cambridge,
Massachussetts
|
| 1992
|
"Shape Shifting: Toward Multifaceted Representations of Women's Bodies." College Art Association, Chicago.
|
| 1991
|
Participant, Women's Caucus for Art, National Conference, Washington, D.C.
|
| 1988
|
Lecture: "Clyde Connell," Williams College Williamstown, MA
|
| 1987
|
Slide presentation on Clyde Connell. National Sculpture Conference: Works by Women.
Cincinnati, OH
|
| 1983
|
Speaker, Coalition of Women's Art Organizations and the National Women's Caucus for Art, Moore College, Philadelphia,
PA
|
|
|
|
|
|
|
|
|
|
1990
|
"A Return to Alien Roots: Painting Outside Mainstream Western Culture," Radcliffe Papers.
|
|
1986
|
"The Impulse to Art," The Inquirer
(September/October).
|
|
1985
|
"Clyde Connell," Women's Art Journal, v. 6:2
(Fall/Winter), pp 30 - 34.
|
| 1984
|
"Clyde Connell," Catalogue for Women's Caucus for Art, Women of Honor Exhibition,
1985. (with S. Bloom)
|
| 1983
|
"Beyond Political and Economic Equality," Women Artists' News, v. 8:4
(May/June).
|
|
|
|
|
|
|
|
|
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2004
|
The Nation, cover of issue dated September 13, 2004
|
|
2003
|
Don Quaintance, "Lynn Randolph: Spirits on the Coast," ArtLies, Summer 2003
|
|
2002
|
Kris Axtman, "Political Dissent Can Bring Federal Agents to Door,"
Progressive Magazine Dec. 29th
|
| 2001
|
Mathew Rothchild, "The New McCarthyism," Progressive Magazine
December 29th
|
| 2001
|
Patricia Johnson, "Intimacy Permeates Double Take", The Houston Chronicle
Feb. 10th, 2001
|
|
2000
|
Kvinder Kon Forsking 9. Argang.rr.2 (front and back cover and pp.8 )
Donna Haraway, an interview with Thyrza Nichols Goodeve, How Like A Leaf
(Routledge)
pp. 102, 116, 120-121, 145
|
| 1999
|
Lynn Randolph, an interview with Emily Todd, ArtLies #24
|
| 1998
|
Caroline Goesner, ArtLies #19 (Spring).
|
| 1997
|
Deborah J. Haynes, The Vocation of the Artist, Cambridge, UK: Cambridge University Press.
|
| 1997
|
Shaila Dewan, "Picture This: Lynn Randolph brings a touch of reality to the Medical
Center," Houston Press, January.
|
| 1996
|
Donna Haraway, Modest Witness @ the Second Millennium: FeMale Man Meets Oncomousetm, Routledge: New
York (Cover Art and Ten Plates with commentary).
|
| 1996
|
William Simon, Postmodern Sexualities, London: Routledge (Cover Art).
|
| 1995-1996
|
Calyx, vol. 16: 2 (Winter), pp. 80-83.
|
| 1995
|
Susie Kalil, "No More Girlish Games," Houston Press, March 16-22.
|
| 1994
|
Susie Kalil, "The Small and the Dreadful," Houston Press, November 17-23.
|
| 1993
|
Susie Kalil, "Art Against Barbie, Houston Press, Jan. 28 - Feb. 3, p. 34.
|
| 1993
|
Therese Lichtenstein, "Slouching Towards 2000: The Politics of Gender,"
Art Forum, March.
|
| 1992
|
David Connelly, Art Papers. January/February, p. 66.
|
| 1991
|
Donna Haraway, "Promises of Monsters," in Cultural Studies, (eds.) L. Grossberg, et al. (London: Routl.)
|
| 1991
|
Estella Lauter, Quandrant. XXIII: 7 (Spring), p. 40.
|
| 1991
|
Simians, Cyborgs, and Women, Donna J. Haraway. London: Free Association Books. (Cover
Art and Plate #1.)
|
| 1990
|
Sciences, New York Academy of Science. November/December
|
| 1990
|
Thomas Frick, Art in America, December
|
| 1988
|
No Bluebonnets, No Yellow Roses: Essays on Texas Women in the
Arts, edited by Sylvia Moore. New York: Mid March Press, 1988. Essay by Robert Hobbs. Spring.
|
| 1988
|
Review by Helen Cullinan, "Lucy Lippard fights for art of personal belief."
Cleveland Plain Dealer, Jan 8.
|
| 1988
|
Heresies: A Feminist Publication. Issue #23.
|
| 1987
|
Women of Power, Issue 6: Spring.
|
| 1987
|
Review by Donna Tennant, Artspace: SW Art Quarterly, Spring.
|
| 1987
|
Review by Suzanne Bloom/Ed Hill, Art Forum. March.
|
| 1986
|
Review by P. C. Johnson, Houston Chronicle, Nov. 25.
|
| 1985
|
Lucie-Smith, Edward. American Art Now (New York: Morrow)
|
| 1984
|
Bell, Michael S., "Surrealism - An Alternative Approach: Veristic Attitudes in the Work and writings of Contemporary Surrealists,"
Leonardo, vol.17 #4.
|
| 1984
|
Lippard, Lucy. Catalogue: One-person Show, Graham Gallery.
|
| 1984
|
Lauter, Estella, Women as Mythmakers: Poetry and Art by 20th Century
Women. (Indiana University Press).
|
| 1983
|
Lippard, Lucy. Overlay: Contemporary Art and the Art of Prehistory (New York: Pantheon).
|
| 1979
|
Lippard, Lucy. "Texas Red Hots," Art in America, (July/August).
|
| 1977
|
"Four Houston Women Artists," MS Magazine, February
|
|
|
|
|
|
|
|
|
|
2003
|
The Ilusas: A Women's Drum
Corp
|
|
1998
|
Artists' Board, Lawndale Art and Performance Center,
Houston
|
|
1997
|
Co-chair, 1988 Annual Conference of the Women's Caucus for
Art
|
| 1995
|
Organizer, Houston Area
Artists' Call Against U.S. Intervention in Central America
|
| 1991
|
National Women's Caucus for Art:
National Advisory Board (1986-88), Regional Vice-president
(1986-1988), President, Houston Chapter (1979-1980)
|
|
|
|
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|
|
1995
|
Curator, "The Presence of the Absence of the Presence," Barbara Davis Gallery, Penzoil
Place, Houston.
|
|
1995
|
Houston coordinator, "Art Under Duress: El Salvador 1980-present," Lawndale Art and Performance Center.
|
|
1995
|
Performance Piece: ART BABBLE, the Illusas, College Art Association, San Antonio.
|
| 1982
|
Designed sets for Measure for Measure by William Shakespeare. Main Street Theater.
|
| 1977
|
Set Designs for Gold, Frankincense, and Myrrh, Space/Dance/Theater, Houston, Texas.
|
|
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