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Changing Houston, Changing Women's Lives:
The Houston Women's Caucus for Art, 1978 - 1988
(Continued)

By MaryRoss Taylor

Exhibitions and lectures began at the Firehouse well before the official dedication. In March 1983 there was "Latin America: Women as Artists and Artisans," accompanied by a slide talk on "Latin America: Women, Art and Social Change" by "Third World" artist Betty LaDuke from Oregon. New York artist Nancy Spero exhibited and spoke at the Firehouse in April. Thomas McEvilley, professor at Rice University, talked on "The Problems Facing the Artist in the Current Situation" that month, and Diana Block, director of the nonprofit DW [Dallas Women's] gallery spoke in May.55  Caucus members showed their own work at Lawndale in 1983; thirty-nine participated in the exhibition.56  Members also held a show October 10 - 28 at O'Kane Gallery of University of Houston - Downtown.57  The Firehouse was perfect for lectures, discussions, and small exhibitions of feminist work from elsewhere. It was too small for Caucus shows but those gained credibility by appearing at established Houston venues.

Painter Sandi Seltzer Bryant, who became chapter president for 1983 - 1984, was the seventh president but the first president to have joined after the initial year.58 The transition in chapter leadership to a new generation was accompanied by the formal opening of the Firehouse Gallery on September 11, 1983. Mayor Kathy Whitmire cut the ribbon. The gallery featured a members' show of small work in boxes, "A Room of One's Own."59  In December the Firehouse hosted "Traces," an exhibition organized by Caucus members using "anonymous, accidental, coincidental works of art," things they found while driving around the city.60

The Caucus continued to thrive on challenges. In addition to a schedule of varied exhibitions and talks at the Firehouse, members organized large shows of local art at other venues in 1984 and 1985. Exhibitions Chair Dan Allison arranged for a members' exhibit to go to Los Angeles in February, 1985 in conjunction with the national CAA and WCA conference.61

"Artists at Work," a monthly series in 1984, continued the emphasis on introducing feminist artists to Houston by presenting five women artists: two from Houston, one from Philadelphia, one from San Francisco, and one from Illinois. In May 1984, "Artists at Work: The Future," was by children, in conjunction with other exhibitions by children in Houston that month.62  Ambitious local exhibitions were annual affairs. A show by eighty Houston artists, forty-two of them men, was curated by painter Linn Swanner and installed on three levels of Two Houston Center downtown from March 9 - March 24.63

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